The Print Lab currently functions as the headquarters for our press, Co-Conspirator Press. It houses our risograph printer which is what we use to print all of our publications, as well as other internal FCCW materials.
Due to the demands of the press, the Print Lab is currently not taking requests for outside print jobs. Additionally, the risograph printer is not available for members to use.
If you’re interested in getting something riso printed, we highly recommend Tiny Splendor!
If you have any questions about the Print Lab, please email firstname.lastname@example.org.
In addition to printing Co-Co Press publications, the Print Lab also has multiple long-armed staplers, paper cutters, and other tools that are available to workspace members! The laser printer is also open for members to use, and workspace members get 40 free copies (black & white) per day.
The WCCW will still be hosting occasional risograph workshops, so keep your eyes peeled for when those are announced!
Our Risograph Printer is overseen by WCCW’s resident Print Lab technician and educator, Noelle Dillman. Noelle teaches a bi-monthly Intro to Risograph Printing Class and is also available for private Riso lessons at a rate of $30 per hour. Feel free to email email@example.com with any Riso questions!
contoh essay lpdp yang lolos
does cialis increase your heart rate
hard get viagra canada
need help writing a descriptive essay
what is essay
does zithromax help strep throat
overdose of glucophage
does crestor affect ejaculation
sildenafil side effects vision
dzialanie tabletki cialis
ncea level two english essay questions
common application essay for transfer students
viagra olimpiadi 2012
simon bolivar essay
comprar viagra spain
viagra kaufen kostet
battute sul viagra vs cialis
Print Lab Educator & Technician
Noelle is a designer, printmaker, and educator who lives in Los Feliz, by way of Boston, MA and Portland, OR. She got her education in Intermedia studies at Pacific Northwest College of Art, and her practice involves many mediums including new media installation and sound technology. She has worked with various public arts organizations, including the Independent Publishing Resource Center (Portland, OR), to advocate for accessibility in art and design, as well as teaching people of all ages. She has also worked as a curator and a printmaking studio supervisor.